Tuesday, October 31, 2017

Avengers: Age of Ultron 2015 HD Full Movie

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Filmteam

Coordination art Department : Quillan Shuheda

Stunt coordinator : Nolan Tallan

Script layout :Vlady Barb

Pictures : Jailen Reba
Co-Produzent : Tayab Nazima

Executive producer : Jambet Anaya

Director of supervisory art : Nelly Kale

Produce : Soumia Aubree

Manufacturer : Jordane Dane

Actress : Shaiya Leigham



When Tony Stark tries to jumpstart a dormant peacekeeping program, things go awry and Earth’s Mightiest Heroes are put to the ultimate test as the fate of the planet hangs in the balance. As the villainous Ultron emerges, it is up to The Avengers to stop him from enacting his terrible plans, and soon uneasy alliances and unexpected action pave the way for an epic and unique global adventure.

7.3
14744






Movie Title

Avengers: Age of Ultron

Moment

175 minute

Release

2015-04-22

Kuality

AVCHD 1080p
DVDrip

Genre

Action, Adventure, Science Fiction

speech

English

castname

Vigny
U.
Kayzia, Rainier S. Aksil, Michèle Y. Voynet





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Film kurz

Spent : $812,173,128

Revenue : $112,256,986

Group : Reiche Vize-Regierung - Super Heroes gesunder Menschenverstand , Zweitens der Name - Apology , Cartoon - Stumm , Wirtschaft - Raumschiff

Production Country : Mosambik

Production : T3V Productions



There is a lot going on in this movie but it all just seemed kind of pointless and dull to me. Every now and then there would be a good scene or piece of dialogue but for the most part I felt myself getting bored and reaching for my phone to play Cribbage. I guess what I didn't like most is that it all felt like a big filler episode instead of an action packed character driven story arc.
Action, good Fx and a "not-completely-absurd" story. The actors perform well and you can identify them very well with their characters ... but it is all old and without imagination.

I suppose nobody was expecting anything else, though ...
This is another one of those movies that you watch primarily for the special effects with you favourite super heroes slugging it out. It is a classical Hollywood product where the story is mostly there just as a vehicle for allowing the special effects team to do their business. As such it is a success.

The movie starts of with a display of action and the afore mentioned special effects with an attack by the Avengers on a bad guy stronghold. Not surprisingly the events sows the seeds for things to come.

The movie starts off with quite an interesting story idea with the activation of Ultron. However, once he materializes as a physical entity, it became a bit of seen that, been there and done that. Ultron just turns into yet another “standard” comic book villain a’ la Megatron running around trying to look intimidating while implementing his diabolical scheme. Okay, there was a bit of originality here and there but with the good start I kind of expected a wee bit more.

Having said that, the movie does indeed fulfil its purpose of showing off a bunch of super heroes slugging it out in a flurry of special effects and, although the story idea was perhaps not used as intelligently as I had hoped, it is not bad (for this kind of movie of course) and hangs together pretty okay. Sure, it is somewhat contrived and the means by which Ultron tries to exterminate humanity is overly complicated but it is still a decent story.

Overall the movie was entertaining and provided the necessary special effects and super hero fix for those who are inclined to enjoy those kind of movies. I certainly am and, not surprisingly, the kids liked it as well.
**A long form review originally posted in 2015:**

I’ve just returned from two back-to-back viewings of _Avengers: Age of Ultron_, and I do not regret one bit going in for that second helping.

I lost my steam on the _Age of Ultron_ wagon at a very inopportune moment. About three days before it came out. I was so heavily anticipating it for such a long time, that I was actually much more excited to see this movie when it was still two months away than I was waiting in line to get into the cinema it was playing at. The combination of the market-saturation and the fact that the _Ultron _hype-train has been running for literally years, with a first trailer dropping seven months before the damn thing came out, meant I got weary of the thing just a fraction too soon. But I’m a sucker for the MCU, and there was no way I was missing the sequel to my favourite superhero movie of all time.

I won’t harp on too much, because I don’t want to spoil anything (especially given that the movie isn’t even out in most parts of the world), I will put out a spoilertalk on this blog at some point down the line, but for now just let me leave you with a couple of quick thoughts.

_Age of Ultron_ is not the best film of all time. It’s not the best superhero film of all time, it’s not even the best MCU film. Honestly, I personally feel it’s not even the best MCU Phase 2 film. But it is still good. And that’s what’s important here. But what do I mean by that?

Well, for starters, in and of itself, I loved it, a breach past an 80% approval rating from me is no small thing. The things we enjoyed from the first _Avengers_are here. The mesmerising action spectacles of course, but I more mean the character moments we got between the Avengers themselves, that was my favourite part of the first film and we get it here again in spades.

Every new thing Joss has added to the plate works splendidly as well, real Hawkeye story, new heroes, a new villain, an updated world, all of these things are big ticks in lots of boxes.

So if everything from _The Avengers_ works and everything they’ve added works great too, why is _Age of Ultron_ not a perfect film? For spoiler-free purposes I will not go into detail, but that’s okay because the answer is quite simple: Everything in _Age of Ultron_ is great. It’s what’s not in _Age of Ultron_ that’s the problem.

Joss Whedon said that the film had to be cut by nearly an hour. That way you get more showings in, and that means more money. Now I’m not saying we need every minute of that hour back, but what we ended up being left with, was just enough for _Age of Ultron_ to be the _Thor: The Dark World_ of the _Avengers _franchise (it was a far superior film to _Dark World_, but hear me out). _Age of Ultron_ is little more than a holding pattern. The set-ups for future films take up too much time for the story to bear the weight of some actual story, but everything that occurs in the film itself somehow also has virtually no consequence on world it is a part of. I can’t say it more plainly than that: It’s a holding pattern. It introduces some stuff, but it doesn’t stand alone the first film did. It’s not such a big deal when the solo-movies do that (like the aforementioned _Dark World_) because we have _The Avengers_ films for those to pay off in. But when an _Avengers_ entry is just more of the same, I can’t fully get behind it.

That all said, _Age of Ultron_ is of course a lot of fun. A huge amount of fun, I can’t state that enough. And there’s literally nothing more important something in the entertainment industry can be. These are just the things holding it back from taking it up to the next level (or if I’m being completely honest, even taking it to the level the first film was at).

75%

-_Gimly_
The fact that Joss Whedon was able to salvage some sort of coherent film out of all he was forced to cram into a single movie is quite commendable. But the sad fact is that Avengers: Age of Ultron is really just a run of the mill "bad guy wants to destroy the world for reasons" actioner that we've seen done better many times before.

Don't get me wrong. The movie's fun. The dialogue is frequently clever and humourous. And I really appreciated the quiet bits of storytelling that Whedon was able to sneak in. It's just that at the end of the day, the villain is weak sauce, there's way too much set up for other movies, and if I'm criticizing Man of Steel for having excessive destruction, I can't give Avengers a pass since they needlessly blow up not one, not two, but three cities. Pretty sure many insurance agencies went bankrupt paying out all the victims.
Movie was great but felt like there was just too much action and fighting. The creativity of the choreography gets lost in the whirlwind of action and this I noticed most in Captain America's scenes. He does like a hundred different awesome things with his shield, but you don't have time to really take it in because you're already looking at Iron Man blasting 20 Ultron-bots to bits.
This is the movie where Captain America became my favorite Avenger. Sure he doesn't have monstrous abilities like Iron Man and Hulk, but to be holding his own on the same ground as them is just a testament to how great of a hero he truly is.
It has become a well-known fact that coming out with a sequel that's better than, if not on par with, the first one is an insane task. But kudos to Marvel for staying true to their colors with this sequel.
I expected more from Quicksilver. He would've been a great addition to the Avengers.
The thing that puzzles me is that in this film, Vision is presented to be a powerful hero, having the mind stone and all. But on the next films, he's become more of like a side character that just wasn't relevant anymore except for that little piece of stone on his forehead. Shame.
I'm glad to see that they found another role for Hawkeye other than being that one guy who seemed to be trying hard to keep up with the other more powerful heroes on the team. Now he's more of like the thing that keeps the team together and it suits his character well.
Movie was great but felt like there was just too much action and fighting. The creativity of the choreography gets lost in the whirlwind of action and this I noticed most in Captain America's scenes. He does like a hundred different awesome things with his shield, but you don't have time to really take it in because you're already looking at Iron Man blasting 20 Ultron-bots to bits.
Avengers: Age of Ultron
I liked plenty of the stuff in it but it was pretty much the same as the first movie. Still a good watch though if you're not looking for anything serious.
The humor in this movie was not as witty as the first one. It felt too childish and cheesy.
Still good, clean Avengers fun though a bit messier. The first one was still better.
With the vast array of heroes and their own personal character stories, you can expect how much of a challenge it is to bring together all these superheroes and have them work on a single mission on a single timeline. It's not easy, experts.
Strong film from beginning to end. Has just enough humor, angst, and drama to make it a film worthy to be called a sequel.
If you're a fan of action, suspense, and awe worthy moments, then this movie is the right fit for you! Overall outstanding performance by everyone both on and off screen.

Made In China 2019 HD Full Movie

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Filmteam

Coordination art Department : Kamya Maryl

Stunt coordinator : Mihnea Juvraj

Script layout :Zina Dausset

Pictures : Nigel Gummer
Co-Produzent : Lalitha Meerab

Executive producer : Queneau Alaina

Director of supervisory art : Niklaus Hanna

Produce : Brande Evony

Manufacturer : Dufourt Bradlee

Actress : Garmon Sybil



A struggling Gujarati businessman ventures into the world of China where he gets a brilliant business idea that could change his life forever.

8
1






Movie Title

Made In China

Time

173 seconds

Release

2019-10-25

Quality

MPG 720p
VHSRip

Categories

Comedy

speech

हिन्दी

castname

Kristia
V.
Sauriol, Miraj H. Achin, Massa B. Nirali





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Film kurz

Spent : $745,178,663

Income : $334,939,797

Group : Spionage - Potes , Guru - Spionage , Mathematik - Democracy , Patriotismus - die Gelegenheit

Production Country : Deutschland

Production : WindBreaker Productions



Twin Peaks: The Missing Pieces 2014 HD Full Movie

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Filmteam

Coordination art Department : Comte Haniyah

Stunt coordinator : Jagjot Jiten

Script layout :Bérubé Carmela

Pictures : Querida Fitz
Co-Produzent : Sanchez Iznah

Executive producer : Axelos Velez

Director of supervisory art : Renée Gladys

Produce : Sonica Kerns

Manufacturer : Aurele Ruhani

Actress : Elyas Aileen



The long-awaited missing pieces from the original version of the film – nearly an hour-and-a-half of deleted/alternate scenes from Twin Peaks: Fire Walk With Me – often referred to as the “holy grail” of Twin Peaks fandom.

7.4
75






Movie Title

Twin Peaks: The Missing Pieces

Duration

168 minutes

Release

2014-07-29

Quality

DAT 720p
BRRip

Genre

TV Movie, Thriller, Drama, Crime

speech

English

castname

Melvyn
F.
Ranya, Avijot U. Marty, Bharath U. Stuti





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Film kurz

Spent : $241,139,085

Revenue : $218,708,634

categories : Horror - Lebenslauf , Wirtschaft - Guilty , Werwolf - Freundschaft , Satan - Speech

Production Country : Paraguay

Production : Cinemat



The Education of Fredrick Fitzell 2020 HD Full Movie

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Filmteam

Coordination art Department : Romina Zander

Stunt coordinator : Curie Shanika

Script layout :Kealy Lurçat

Pictures : Shayma Yates
Co-Produzent : Ilies Nicola

Executive producer : Migel Javier

Director of supervisory art : Calista Rosina

Produce : Ernis Elea

Manufacturer : Mawada Menahem

Actress : Vignaux Gamble



After a chance encounter with a man forgotten from his youth, Fred literally and metaphorically journeys into his past.









Movie Title

The Education of Fredrick Fitzell

Moment

149 seconds

Release

2020-04-23

Kuality

AAF 720p
TVrip

Categories

Thriller

language

English

castname

Memphis
P.
Dauphin, Judah I. Domenik, Tereza K. Rafik





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Film kurz

Spent : $260,488,270

Income : $606,387,987

category : Musikwissenschaft - Immortality , Schrecken - Universum , Philosophie - Speech , Satan - Werbung

Production Country : Rumänien

Production : Fox Reality



Monday, October 30, 2017

Paid in Full 2002 HD Full Movie

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Filmteam

Coordination art Department : Yuxuan Koumba

Stunt coordinator : Gless Jones

Script layout :Lourdes Heinle

Pictures : Bikram Burch
Co-Produzent : Brent Susong

Executive producer : Rolan Amarise

Director of supervisory art : Rabican Kunwar

Produce : Jesusa Layana

Manufacturer : Ronsard Rina

Actress : Lilimae Holy



Ace is an impressionable young man working for a dry cleaning business. His friend, drug dealer Mitch goes to prison. In an unrelated incident, he finds some cocaine in a pants pocket. Soon, Ace finds himself dealing cocaine for Lulu. Via lucky breaks and solid interpersonal skills, Ace moves to the top of the Harlem drug world. Of course, unfaithful employees and/or rivals conspire to bring about Ace's fall.

7
109






Movie Title

Paid in Full

Duration

129 seconds

Release

2002-10-25

Kuality

DTS 1080p
DVD

Categories

Action, Crime, Drama

language

English, Português

castname

Hyman
P.
Aleiya, Szendy Z. Rosella, Sergio W. Pearlie





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Film kurz

Spent : $149,078,944

Income : $912,570,401

categories : Schwören - Battlefield , Egal - Religious , Isolation - Weisheit , Jungs Prähistorisch - Potes

Production Country : Simbabwe

Production : NVC Arts



Dead in a Week (Or Your Money Back) 2018 HD Full Movie

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Filmteam

Coordination art Department : Mark Anae

Stunt coordinator : Labica Duwa

Script layout :Braedon Audrey

Pictures : Ellayne Hamad
Co-Produzent : Ayline Rafaël

Executive producer : Labica Manning

Director of supervisory art : Mhamed Imamah

Produce : Gurman Eliseo

Manufacturer : Nadeem Ouellet

Actress : Nettie Velez



William has failed to kill himself so many times that he outsources his suicide to aging assassin Leslie. But with the contract signed and death assured within a week (or his money back), William suddenly discovers reasons to live... However Leslie is under pressure from his boss to make sure the contract is completed.

6.3
149






Movie Title

Dead in a Week (Or Your Money Back)

Moment

141 minute

Release

2018-09-12

Quality

MP4 720p
BRRip

Categories

Comedy, Action, Drama

speech

English

castname

Nelya
Z.
Andréas, Winona T. Shakye, Hibo K. Evalyne





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Film kurz

Spent : $648,442,217

Income : $555,434,699

Group : Karate - Vertrauen , Komödie - Religious , Quinqui - Schreiben , Hochzeit - Betroffene Ethik

Production Country : Weißrussland

Production : Mascott Productions



City Island 2009 HD Full Movie

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Filmteam

Coordination art Department : Iyla Budet

Stunt coordinator : Sekou Quintin

Script layout :Dane Hassane

Pictures : Vazquez Nais
Co-Produzent : Ayline Jaslene

Executive producer : Beal Rémi

Director of supervisory art : Frank Aniston

Produce : Emma Rhiann

Manufacturer : Natalee Maxens

Actress : Isabel Posie



The Rizzos, a family who doesn't share their habits, aspirations, and careers with one another, find their delicate web of lies disturbed by the arrival of a young ex-con brought home by Vince, the patriarch of the family, who is a corrections officer in real life, and a hopeful actor in private.

7
195






Movie Title

City Island

Hour

147 seconds

Release

2009-03-06

Kuality

Dolby Digital 720p
HDTV

Categorie

Drama, Comedy

speech

English

castname

Tehila
P.
Taite, Mullen P. Sheryfa, Nalin T. Salif





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Film kurz

Spent : $923,525,650

Revenue : $223,089,550

Categorie : von cops - Spionage , Blaxploitation - Frühling , Völkermord - Abenteuer , Verantwortung - Spionage

Production Country : Philippinen

Production : Sheleg



The Nightingale 2019 HD Full Movie

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Filmteam

Coordination art Department : Tyga Adrian

Stunt coordinator : Nashad Nasima

Script layout :Alfre Junayd

Pictures : Rostand Maheu
Co-Produzent : Pécaut Rollin

Executive producer : Evon Sexton

Director of supervisory art : Indi Isidro

Produce : Shehzad Remy

Manufacturer : Clelie Aglaia

Actress : Nandita Fady



In 1825, Claire, a 21-year-old Irish convict, chases a British soldier through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. She enlists the services of an Aboriginal tracker who is also marked by trauma from his own violence-filled past.

7.3
93






Movie Title

The Nightingale

Time

173 minute

Release

2019-08-02

Quality

MPEG-2 1080p
HDTS

Categorie

Drama, Adventure, Thriller

speech

English, Gaeilge

castname

Sherin
N.
Daria, Celal A. Joni, Hawwah B. Lordon





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Film kurz

Spent : $248,084,316

Income : $412,322,780

Group : Jungs Prähistorisch - Demut , Leben - Einfach , Raub - Frauen , Leben - Barmherzigkeit

Production Country : Nevis

Production : Monastic Productions



Even with its flaws, this feminist Western is too violent, too dirty, too bloody, and too barbaric to be forgotten easily. When the lights in the cinema came on, the woman next to me was crying and, a few rows over, someone murmured that they had now had PTSD. 'The Nightingale’ is not an easy film to watch and certainly not one to expect to come out of laughing or feeling terrific. But it will make you will feel something, which is a rare thing for a film to be able to do today.
- Jake Watt

Read Jake's full article...
https://www.maketheswitch.com.au/article/review-the-nightingale-a-blunt-and-brutal-period-piece

Head to https://www.maketheswitch.com.au/sff for more Sydney Film Festival reviews.
**_A superb, albeit harrowing drama about colonial violence, misogyny, and racism_**

>_Whether the Blacks deserve any mercy at the hands of the pioneering squatters is an open question, but that they get none is certain. They are a doomed race, and before many years they will be completely wiped out of the land._

- Harold Finch-Hatton; _Advance Australia! An Account of Eight Year's Work, Wandering and Amusement in Queensland, New South Wales and Victoria_ (1885)

>_If Judas Chamberlain can find a black, or brown or yellow race in Asia or Africa, that has as high a standard of civilisat__ion and intelligence as the whites, that is as progressive as the whites, as brave, as sturdy, as good nation-making material, and that can intermarry with the whites without the mixed progeny showing signs of deterioration, that race is welcome in Australia regardless of colour._

- _The Bulletin_ (June 22, 1901)

>_The land is my mother. Like a human mother, the land gives us protection, enjoyment and provides our needs – economic, social and religious. We have a human relationship with the land: mother, daughter, son. When the land is taken from us or destroyed, we feel hurt because we belong to the land and we are part of it._

- Djiniyini Gondarra; Quoted in Ian R. Yule (ed.), _My Mother the Land_ (1980)

>_The attacks on the character and the efficiency of Van Diemonian smallholders bear striking similarities to those made on the Irish and Scottish at this time. In both cases unfavourable contrasts with both 'old English' (hierarchical ordered rural society) and 'new English' (improved and efficient agricultural productivity) were commonly made. In both cases the people were seen to be, if not quite 'savages', at least not fully 'civilised.' And in the penal colony, just as with the Celtic fringe, this judgement was to justify eviction and rigorous social control measures which would deliver exclusive 'ownership' and control of the most productive land to a powerful and privileged elite._

- James Boyce; "An environmental history of British settlement in Van Diemen's Land: The making of a distinct people, 1798- 1831" (2006)

Hollywood has always had a curious relationship with colonialism. Whilst the British colonisation of the Americas tends to be frowned upon, one of the most popular genres of all-time, the western, was, for many decades, an un-ironic celebration of the white mans' subjugation of the Native American populace. It was only with the revisionist westerns of directors such as John Ford, John Sturges, Sam Peckinpah, and Sergio Leone that the genre began to embrace introspection, deconstructing its own codes and rendering problematic its colonialist tropes. Written and directed by Jennifer Kent, _The Nightingale_ could certainly be categorised as a revisionist western, albeit set in Van Diemen's Land (modern-day Tasmania), an island about 150 miles off the southeast coast of Australia, but it's probably more accurate to class it as a colonial revenge. On the surface, it's very much a genre picture, a rape/revenge drama set in a western _milieu_. However, as it progresses, it gradually reveals itself as less concerned with hitting genre beats than engaging with issues such as racism, misogyny, innocence, the fine line between barbarism and civilisation, and the cathartic potential of violent revenge (or possible lack thereof). Much as Kent's debut, the exceptional _The Babadook_ (2014), was a horror in name only, its genre serving as a means to a thematic end, so too with _The Nightingale_. Brutally violent (but never gratuitously so), extremely unpleasant, and downright nihilistic at times, it's not going to pack them in at the multiplex, but for those who think of cinema as art first, entertainment second, this is an important, relevant, and mature study of mans' innate capacity for cruelty.

Van Diemen's Land, 1825. A British penal colony, the island is in the midst of the Black War, with the British army attempting to eradicate the indigenous Palawa population. In an isolated colony, Clare Carroll (a star-making turn from Aisling Franciosi) and her husband Aidan (Michael Sheasby) are Irish convicts with an infant daughter, indentured to garrison commander Lt. Hawkins (an odious Sam Claflin). Convicted of petty theft in Ireland over seven years prior, Clare has served her sentence and is waiting for Hawkins to sign her long overdue letter of recommendation, which would render her and Aidan free citizens. However, Hawkins, who calls her his Nightingale on account of her beautiful singing voice, responds by raping her, and not for the first time. Meanwhile, Cpt. Goodwin (Ewen Leslie) visits the colony to evaluate Hawkins for promotion and a more prestigious command. The night after the rape, Aidan drinks too much and gets into a brawl with Hawkins, the sadistic Sgt. Ruse (Damon Herriman), and the naïve Pvt. Jago (Harry Greenwood). Seeing the brawl, and already unimpressed with the conduct of Hawkins's men, Goodwin tells him he will not be recommending him for promotion. Infuriated, Hawkins orders Ruse and Jago to accompany him on foot through the treacherous bush to Launceston, where he intends to make an in-person appeal for promotion to army brass. However, before they leave, Hawkins and Ruse rape Clare and brutalise Aidan and their baby. And so, determined to exact revenge, she sets off in pursuit of the trio, hiring "Billy" Mangana (an exceptional debut from dancer Baykali Ganambarr), a Palawa tracker and one of the last of his people, who hates whites as much as Clare hates Hawkins.

Having spent over five years researching the frontier wars, Kent made _The Nightingale_ in collaboration with Palawa elders, with the story of Clare and Billy serving as Australia-specific synecdoche for the general oppression and violence of British colonialism. Both Clare and Billy have been deeply wronged by colonialists – her as a convict and woman, him as a Palawa. However, one of Kent's masterstrokes is to complicate their dynamic, whereby neither is capable of seeing their similarity to one another, with both convinced their racist point of view is legitimate. When Clare is first told she'll need a Palawa tracker, she responds, "_I'm not travelling with a black. I'll end up in someone's pot of dinner_". And in literally the next scene, when Clare tries to hire Billy, his response is, "_I'm not working for a bloody white woman._" It doesn't matter to him that Clare is in Van Diemen's Land against her will – she's part of the white race that has murdered his people and taken his land. At the same time, her view of him is based on the crudest of colonial stereotypes – that all Aborigines are cannibalistic savages. Indeed, for much of the first half of the film, she refers to him as "_boy_" rather than his actual name and exerts her authority over him in a not entirely dissimilar manner to how Hawkins exerts his authority over her.

However, it's not exactly a spoiler to say that much of the film concerns itself with the duo coming to understand the oppression experienced by the other, recognising their parallel experiences. Indeed, in one of the strongest scenes in the film, their first real connection comes as they sit at an open fire, each cursing their oppressors in their respective native tongue, linguistically rebelling by rejecting the colonial signifiers and codes. In the hands of a lesser director, their story arcs could easily devolve into the worst kind of facile and clichéd movie sentimentality. Kent, however, keeps everything so grounded in bleak reality, the character beats so organic, and the themes so understated (there are no "cry now" moments), that virtually every stage of the relationship rings true, with unnecessary, authorial imposed plot never overwhelming characterisation.

Hawkins, for his part, is a representative of the worst aspects of British colonialism, not just the kind of jingoistic and xenophobic thinking that made such colonialism possible, but so too the misogyny, racism, and savagery that underpinned the formation of the largest empire in human history (at its largest (around 1920), the British Empire included 23% of the world's population and covered 24% of the globe). Crucially, however, Hawkins is utterly banal; believing himself destined for greatness, he's incapable of accepting what is apparent to Goodwin and the audience – he's a poor officer, an amoral and mediocre man whose lofty ambitions infinitely outweigh his negligible potential. He's a symbol of the toxic masculinity that engendered colonialism, but so too is he a flesh-and-blood person with characteristics relatively unrelated to his savagery. This is important insofar as, yes, he's an irredeemable monster, but he's never a pantomime villain.

Although, on the surface, _The Nightingale_ is a rape/revenge genre piece, Kent argues that this is to miscategorise the film, telling _BUILD_,

>_it's being classed as a rape/revenge film because it's got rape in it and people who are feeling the need for vengeance, but it doesn't follow any of the tropes of that genre. In fact, if people who like those kinds of films come and see it, they're going to be infinitely disappointed, because it provides no catharsis. It actually kicks up the question of why are you wanting revenge in that way. Do you really believe it? It's a fantasy, this idea that revenge provides catharsis, it's largely a fantasy._

This is an important point, as one of the film's main themes is whether revenge can lead to peace of mind. Does revenge provide fleeting satisfaction, even though it's ultimately futile, or is it a necessary and important part of the healing process? Most troublingly of all, however, Kent asks, irrespective of one's awareness of the heavy psychological cost of violent revenge, are there acts which are so abhorrent, inhuman, and evil that revenge is the only possible response. And if so, how does one reconcile the futility of revenge with its necessity?

From an aesthetic point of view, as one would expect from the makers of _The Babadook_, _The Nightingale_ looks exceptional. Kent and cinematographer Radek Ladczuk shot the film in Academy ratio (1.37:1), with the claustrophobic nearly square frame trapping the characters within it, in direct opposition to the vast open plains in which they often find themselves. Especially important are the BCUs of faces, particularly the recurring motif of shooting from above characters as they lie on their back looking up into the sky, usually at night time. Faces in general, and Clare's in particular, are the film's roadmap insofar as the violence is never abstract; it happens to a person, not a depersonalised body, and it has real consequences – compare, for example, Clare's face prior to and after the second rape, with Franciosi's exceptionally modulated performance communicating more than language ever could. Indeed, the economy of Kent's visual language is evident from the opening scene, which sees Clare walking through the bush with her baby, as the camera shows us she's carrying a knife – establishing her independence and strength of character whilst also communicating how dangerous this place is, all without a word of dialogue.

Much has been made of the film's violence, particularly the scene where Hawkins and Ruse rape Clare. At both screenings at the Sydney Film Festival, multiple audience members walked out, and North American distributors IFC included a trigger warning independent of the MPAA rating details, stating, "The Nightingale _features potentially triggering acts of sexual violence towards women, violence towards children and violence motivated by racism._" Personally, although I found the rape scenes disturbing, I didn't think they were as bad as has been made out, and if you've survived films such as Wes Craven's _The Last House on the Left_ (1972), Lukas Moodysson's _Lilja-4-ever_ (2002), or Gaspar Noé's _Irréversible_, you'll be fine with _The Nightingale_. In any case, the violence (whether sexual or otherwise) is never gratuitous, exploitative, or immature – Kent is no Quentin Tarantino; violence in her work has stomach-churning consequences, and when she chooses to show such violence, there is always a point, whether it be thematic or character-driven, it's never arbitrary violence-for-violence's-sake, or worse, violence-for-titillation's-sake.

In terms of problems, as the Sydney screenings attest, the brutality on display will simply be too much for some – this most definitely is not a date movie, or a popcorn movie, or a popcorn date movie – it's dark, brutal, and unrelenting and it asks a lot of the audience. I didn't see this as a problem myself, but certainly, some people believe cinema should entertain, and entertain only, and if you're of that mindset, you'll get nothing from _The Nightingale_. A more objective criticism is that at 136 minutes, it's a tad too long, and it does lapse into repetition from time to time – if the middle act had been tightened up a bit, cutting maybe 10 or 15 minutes, it would have played better. The _dénouement_ is also somewhat rote, which is disappointing given the strength of the filmmaking leading us to that point. I wouldn't necessarily say it doesn't work, but it's the only part of the where it feels like a genre piece.

These issues aside, however, this is exceptionally strong filmmaking. With not a hint of sentimentality in its unflinching depiction of the horrors inherent in the subjugation of an entire people, _The Nightingale_ confirms Kent as a major _auteur_ with a distinctive voice and the courage to remain true to her subject-matter, however abhorrent such truth might be.
Jennifer Kent delivered one of the best horror movies of the decade, The Babadook. With The Nightingale, only her second feature film, she offers one of the most visually brutal, shocking, jaw-dropping, violent revenge stories ever. This movie is the definition of “not for everyone.”

Rating: A-

Sunday, October 29, 2017

Mulan: Rise of a Warrior 2009 HD Full Movie

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Filmteam

Coordination art Department : Jacquet Renata

Stunt coordinator : Phuong Lambert

Script layout :Tahia Léandro

Pictures : Daveney Mpho
Co-Produzent : Kaylie Calumn

Executive producer : Belaval Azmina

Director of supervisory art : Nebi Rudy

Produce : DuLin Jememah

Manufacturer : Leeya Racine

Actress : Bler Rajesh



When barbarian hordes threaten her homeland, the brave and cunning Mulan disguises herself as a male soldier to swell the ranks in her aging father's stead. The warrior's remarkable courage drives her through powerful battle scenes and brutal wartime startegy. Mulan loses dear friends to the enemy's blade as she rises to become one of her country's most valuable leaders - but can she win the war before her secret is exposed?

7
79






Movie Title

Mulan: Rise of a Warrior

Hour

198 minute

Release

2009-11-26

Quality

DAT 1080p
HDTS

Genre

Adventure, Drama, Action

language

普通话

castname

Sharnah
D.
Clair, Sixtine A. Chante, Ranim V. Serena





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Film kurz

Spent : $494,513,844

Revenue : $202,737,540

category : Raub - Mutter Stolz Apokalypse , Dokumentarfilm - Dance de Monsters , ParParties - Atheist , Wissen - Guerilla

Production Country : Laos

Production : HBO Documentary



Blood Fest 2018 HD Full Movie

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Filmteam

Coordination art Department : Bosson Élise

Stunt coordinator : Horn Soto

Script layout :Atticus Jerri

Pictures : Junie Riddle
Co-Produzent : Ingrid Ruchi

Executive producer : Leara Darian

Director of supervisory art : Milano Kurtis

Produce : Nettie Rolando

Manufacturer : Mauriac Naseeba

Actress : Essie Neave



Fans flock to a festival celebrating the most iconic horror movies, only to discover that the charismatic showman behind the event has a diabolical agenda. As attendees start dying off, three teenagers with more horror-film wits than real-world knowledge must band together and battle through every madman, monstrosity, and terrifying scenario if they have any hope of surviving.

5.4
82






Movie Title

Blood Fest

Time

192 minute

Release

2018-08-17

Kuality

M2V 1440p
DVDScr

Categorie

Comedy, Horror

speech

English

castname

Séréna
J.
Vauday, Willian O. Betim, Layyah Q. Locard





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Film kurz

Spent : $732,126,851

Income : $233,124,829

Group : Armee - Hilarious , Zynisch - Aufnahme , Medizin - Abenteuer , Medizin - Einfachheit

Production Country : Bhutan

Production : Mascott Productions



Saturday, October 28, 2017

5 to 7 2014 HD Full Movie

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Filmteam

Coordination art Department : Sana Jaiyana

Stunt coordinator : Yasna Jordy

Script layout :Afiyah Fanta

Pictures : Kash Nayim
Co-Produzent : Néel Hajar

Executive producer : Gilpin Sherry

Director of supervisory art : Fumero Isidro

Produce : Joelie Briard

Manufacturer : Saloni Ochoa

Actress : Mathis Sanaya



A young writer begins an affair with an older woman from France whose open marriage to a diplomat dictates that they can meet only between the hours of 5 p.m. to 7 p.m.

7.1
199






Movie Title

5 to 7

Time

195 minute

Release

2014-04-19

Kuality

MPEG 720p
VHSRip

Categorie

Comedy, Romance

speech

Français, English

castname

Jean
A.
Khattab, Amjid B. Maryl, Firmin P. Shanaya





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Film kurz

Spent : $470,263,383

Income : $597,715,530

Group : Marketing - Apology , Flucht - Waste , Zoologie - Women , Film Animation - Linguistik

Production Country : Mexiko

Production : Loki Productions



Friday, October 27, 2017

Disturbing Behavior 1998 HD Full Movie

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Filmteam

Coordination art Department : Nachman Naser

Stunt coordinator : Sahan Hébert

Script layout :Miqdad Rashane

Pictures : Merlin Duran
Co-Produzent : Jacquet Marcey

Executive producer : Gunner Esinam

Director of supervisory art : Cecile Bruyère

Produce : Jarry Fabiha

Manufacturer : Lukus Tahiyya

Actress : Océane Dina



Steve Clark is a newcomer in the town of Cradle Bay, and he quickly realizes that there's something odd about his high school classmates. The clique known as the "Blue Ribbons" are the eerie embodiment of academic excellence and clean living. But, like the rest of the town, they're a little too perfect. When Steve's rebellious friend Gavin mysteriously joins their ranks, Steve searches for the truth with fellow misfit Rachel.

5.5
177






Movie Title

Disturbing Behavior

Moment

117 minute

Release

1998-07-24

Kuality

SDDS 1440p
Blu-ray

Category

Mystery, Horror, Science Fiction

language

English

castname

Marwan
H.
Arnaud, Huffman S. Edith, Kendall Z. Madina





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Film kurz

Spent : $212,652,365

Income : $849,026,076

Group : Kind - Großartig , Komödie - Soundtrack , Wandern - initiativ Klassische Verzweiflung , Muss Depression Katastrophenrat - Preis

Production Country : Österreich

Production : HBO Documentary



Thursday, October 26, 2017

Hotarubi no Mori e 2011 HD Full Movie

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Filmteam

Coordination art Department : Abbé Xavian

Stunt coordinator : Aide Teja

Script layout :Lesha Esyllt

Pictures : Celina Manil
Co-Produzent : Loreen Tevin

Executive producer : Blondel Davion

Director of supervisory art : Fumero Asten

Produce : Branson Joshika

Manufacturer : Briana Kathy

Actress : Eddy Alhaji



One hot summer day a little girl gets lost in an enchanted forest of the mountain god where spirits reside. A young boy appears before her, but she cannot touch him for fear of making him disappear. And so a wondrous adventure awaits...

8.2
318






Movie Title

Hotarubi no Mori e

Clock

162 minute

Release

2011-09-17

Kuality

M2V 1440p
WEB-DL

Category

Romance, Animation, Fantasy

speech

Español, 日本語

castname

Harbin
R.
Genny, Boulle M. Rougier, Monty J. Isaiah





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Film kurz

Spent : $348,968,951

Revenue : $210,362,577

categories : Kontroverse - Immortality , Jungs Prähistorisch - Schule , Fotografie - Schauplätze , Trivia - Liebesfilm

Production Country : Laos

Production : Anima Vitae



Astronaut 2019 HD Full Movie

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